Birthday Surprise!

A group of adventuring friends show up to surprise their wizardly friend at home. But can they find their way once inside his magical tower?

Rebels chase

Rebels are on the run from a notorious bounty hunter and his crew. Their speeders and the badlands are the only way out.

Magi in Training

Preparing for the battle ahead, Haru, a young magic student struggles with her powers. She needs to learn that the friends she travels with are wise beyond their years. Tina with her blade and Mei’s fast fists, they’re confident Haru’s magic will be invaluable to their journey. Will she be able to master her abilities in time?Original script, characters, and storyboards.

Dr Seuss' Red Fish Blue Fish

Primarily a revisionist on Red Fish Blue Fish for Netflix and was put in charge of boarding the end sequence of an episode. The show was an outline driven show so there was a lot of freedom to have fun!

Hunter Vs Bear

A showdown between hunter and prey. But who's who?

Dysfunctional Dam

Storyboards from a prewritten script sample.

Inspired by the view from the studio in San Francisco. Daydreaming of a Kaiju attack in the city.

WORK IN PROGRESS

Guards are ready for anything until something unexpected arrives. Done in Blender.

Old fight sequence

A hero is chased down by an overlord and his minions but there's no winning in the apocalypse.
A very old action sequence I boarded. It originally started with a few punches and camera moves and ended up becoming more.

Video
Inspired by the view from the studio in San Francisco. Daydreaming of a Kaiju attack in the city.
A traditional Thai temple spirit guardian. This one's angry it's lost its body. Also testing out new animation apps on the iPadPro.
Testing out ProcreateDreams V1 while waiting for my flights.
Festive pumpkins come to life. Testing new animation apps for the iPadPro.

About me

Story artist and animator in film and video games with nearly 20 years of experience in the industry. I’m available for work as a storyboard artist or revisionist.The majority of my time has been as an experienced senior/lead animator which eventually lead me to my last position as Animation Director at a Japanese game company’s Montreal satellite studio; building out the animation department, laying out the pipeline and leading the team on projects.The move from animation to storyboarding has been an idea brewing for years. As a matter of fact, my first job in animation was waaaay back in the mid-90’s as a storyboard revisionist on the tv show, Mummies Alive! for DIC Entertainment. Those day were fondly filled with paper, pencils, and lots of Post-It notes. Forging a new path into storyboarding is an exciting opportunity to feed my creative brain, play and tell stories, and work with the most creative minds in the entertainment industry.To this new endeavour I bring experience working under pressure, keeping up animation quality while maintaining quotas, mentorship of fresh-faced grads, senior knowledge to problem solve issues in productions, and know a thing or two in leading successful teams to create amazing work on fun movies and games. Most importantly, I always strive to work and have fun with amazing talent, that in turn lead to great projects. It’s a big world out there and I want to create experiences that leave this world a better place.